The fourth of five in my DADGAD series, this time devoted to Bluegrass and related styles. Although I wrote the arrangements with pick/plectrum in mind, they can also be played fingerstyle. Every tune is a classic, and is presented in a simple style for Beginner and Intermediate levels. The book is available as a hard copy, or as an eBook. Soundfiles available for every track.
I’ve added a new page HERE for selling pdf scores, many of which I’ve worked with for years. They are the product of two decades of researching, arranging, recording and typesetting. I’ve kept the prices VERY low.
Feel free to fill your boots on the way to the checkout!
Various instruments are included, and a short extract can be seen for each publication.
I’m using SELLFY for PDF distribution. Just click “BUY” and you will be asked by them to pay via your PayPal account. Then the pdf will be automatically delivered to you. It should only take a minute or two.
Ian Grant loaned me his original Georgian Harp Lute, invented by Edward Light in the late 18th-century.
Sadly, I only had the instrument for four days before Ian flew back to Australia, during which time I made this video. It has a delightful sound.
Ian sent me not only the instrument by Edward Light, but also Light’s publication, Introduction to the Art of Playing On the Harp-Lute & Apollo-Lyre with suitable Lessons &.c Composed and Adapted BY Edward Light, Inventer.
This volume gives some instruction and twenty seven or so pieces of increasing difficulty. I recorded three pieces from pages 10 and 12, ‘Dance’, ‘Haunted Tower’ and ‘Scotch Air’. I offer them here as an introduction to the instrument and its repertoire. I’m told that it was immensely popular in its day, and that there are many hundreds of pieces for it.
The tuning, from bass to treble is, G CDEFGA Bcegc’ – the last five notes lying on the fingerboard. Three of the basses have semitone levers, or an early version of such, and therefore keys other than C Major can be played. The tuning is not too far from the so-called English Guitar, or ‘guittar’ of the second half of the 18th-century, and much of the repertoire is similar – Scotch Airs, popular songs, a little bit of Haydn…etc.
My arrangements for tenor banjo (or any 5ths-tuned instrument) of the first three cello suites by Bach, is now available from Mel Bay and other outlets.
The book has a CD recording of my performances of the suites on three different banjos.
Bach’s cello suites are among the most famous solo instrumental works of all time. The cello and the tenor banjo share the same tuning, and banjo players might be surprised at how well this great music fits on the fretboard.
Here is a chance for tenor banjo players to explore Bach on their instrument, which could be tuned to either regular, CGDA, or Irish tuning, GDAE.
Accompanying audio is included, using three different tenor banjos: a regular tenor (Deering Eagle II), a gourd tenor (Jaybird Banjos), and a cello banjo (Gold Tone) which has the same low pitch as the cello. A ‘suite’ is a collection of dances of varying speeds and time signatures, conceived to be performed as a whole, and preceded by a prelude. Bach’s Prelude to the 1st Suite is magnificent and justly famous. The Bourree from the 3rd Suite is also very popular.