In Music on September 6, 2015 at 7:06 am
I’ve started a new website devoted to my classical guitar studies.
As I play without using fingernails, I’ve devoted half of the site to players of the past and present who did or do likewise – some interesting videos there.
You are welcome to visit…
In Music on March 18, 2015 at 2:58 pm
I’ve added a new page HERE for selling pdf scores, many of which I’ve worked with for years. They are the product of two decades of researching, arranging, recording and typesetting. I’ve kept the prices VERY low.
Feel free to fill your boots on the way to the checkout!
Various instruments are included, and a short extract can be seen for each publication.
I’m using SELLFY for PDF distribution. Just click “BUY” and you will be asked by them to pay via your PayPal account. Then the pdf will be automatically delivered to you. It should only take a minute or two.
More scores to come, so do return.
In Music on January 6, 2015 at 9:51 am
Ian Grant loaned me his original Georgian Harp Lute, invented by Edward Light in the late 18th-century.
Sadly, I only had the instrument for four days before Ian flew back to Australia, during which time I made this video. It has a delightful sound.
Ian sent me not only the instrument by Edward Light, but also Light’s publication, Introduction to the Art of Playing On the Harp-Lute & Apollo-Lyre with suitable Lessons &.c Composed and Adapted BY Edward Light, Inventer.
This volume gives some instruction and twenty seven or so pieces of increasing difficulty. I recorded three pieces from pages 10 and 12, ‘Dance’, ‘Haunted Tower’ and ‘Scotch Air’. I offer them here as an introduction to the instrument and its repertoire. I’m told that it was immensely popular in its day, and that there are many hundreds of pieces for it.
The tuning, from bass to treble is, G CDEFGA Bcegc’ – the last five notes lying on the fingerboard. Three of the basses have semitone levers, or an early version of such, and therefore keys other than C Major can be played. The tuning is not too far from the so-called English Guitar, or ‘guittar’ of the second half of the 18th-century, and much of the repertoire is similar – Scotch Airs, popular songs, a little bit of Haydn…etc.